Article number: | A4BSP |
Availability: | In stock |
The primary objective in creating the Griego Artist line was to provide players with both a great mouthpiece as well as a great mouthpiece series. Each series (1, 3, 4, 5, and 7) currently has six models (A, B, C, D, E, and F) with identical cup diameters and rim shapes. The differences between the mouthpieces in each series are in the cup depths and throat dimensions.
Size Comparison:
1A
This is a great piece for very demanding altissimo works. It has a more brilliant tone color, which can carry over any ensemble in any acoustic environment.
1B
The B cup is a great piece for demanding playing that requires extended endurance to play not just excerpts, but long performances. This mouthpiece trends towards the upper register ensuring the last note on the performance is as good as the first.
1C
This configuration provides the carrying power necessary to sit on top of the low brass, as well as a warmth of sound and resonance in all registers.
1D
The D cup is built for those that think the C is too shallow and the E is too deep.
1E
The 1E is perfect for works that require a larger width of sound in all registers.
1F
This is a great mouthpiece for large orchestral repertoire.
3A
The 3A is a great choice for long and demanding solo works. The shallower cup allows for ease in the upper register and a more brilliant sound that easily projects over the orchestra or piano.
3B
The B cup is a great piece for demanding playing that requires extended endurance to play not just excerpts, but long performances. This mouthpiece trends towards the upper register ensuring the last note on the performance is as good as the first.
3C
This mouthpiece cup depth works as a great principal or all-around mouthpiece.
3D
The D cup is built for those that think the C is too shallow and the E is too deep.
3E
The 3E can be used on works that require a larger width of sound in all registers.
3F
The largest 3 Series cup allows for a deeper tonal quality. If a player has a more brilliant sound, this model can help enrich/darken the sound while maintaining presence.
4A
The 4A is a great choice for long and demanding solo works. The shallower cup allows for ease in the upper register and a more brilliant sound that easily projects over the orchestra or piano.
4B
The B cup is a great piece for demanding playing that requires extended endurance to play not just excerpts, but long performances. This mouthpiece trends towards the upper register ensuring the last note on the performance is as good as the first.
4C
This mouthpiece cup depth works as a great principal or all-around mouthpiece.
4D
The D cup is built for those that think the C is too shallow and the E is too deep.
4E
The 4E can be used on works that require a larger width of sound in all registers.
4F
The largest 4 Series cup allows for a deeper tonal quality. If a player has a more brilliant sound, this model can help enrich/darken the sound while maintaining presence.
5A
The 5A is a great choice for long and demanding solo works. The shallower cup allows for ease in the upper register and a more brilliant sound that easily projects over the orchestra or piano.
5B
The B cup is a great piece for demanding playing that requires extended endurance to play not just excerpts, but long performances. This mouthpiece trends towards the upper register ensuring the last note on the performance is as good as the first.
5C
This mouthpiece cup depth works as a great principal or all-around mouthpiece.
5D
The D cup is built for those that think the C is too shallow and the E is too deep.
5E
The 5E can be used on works that require a larger width of sound in all registers.
5F
The 5F has a deeper tonal quality. If a player has a more brilliant sound, this model can help enrich/darken the sound while maintaining presence.
7A
The 7A is a great choice for long and demanding solo works. The shallower cup allows for ease in the upper register and a more brilliant sound that easily projects over the orchestra or piano.
7B
The B cup is a great piece for demanding playing that requires extended endurance to play not just excerpts, but long performances. This mouthpiece trends towards the upper register ensuring the last note on the performance is as good as the first.
7C
Great all around mouthpiece. Very close to standard Bach 5 except with the wider rim.
7D
The D cup is built for those that think the C is too shallow and the E is too deep.
7E
The 7E can be used on works that require a larger width of sound in all registers.
7F
The 7F's cup allows for a deeper tonal quality. If a player has a more brilliant sound, this model can help enrich/darken the sound while maintaining presence.
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